Barefoot Landing

Carol Brooks Parker PHOTOGRAPHY: Barefoot Landing &emdash; After the Storm - Barefoot Landing, South Carolina 2015

Cruising up the Intracoastal Waterway in the spring of 2015 aboard AVATAR, we were forced to take shelter at a marina as Tropical Storm Ana, the first named storm of the Atlantic hurricane season, worked its way towards landfall in the Carolinas, targeting our exact whereabouts. We selected a location named Barefoot Landing just north of Myrtle Beach, South Carolina, and tied up securely with our mooring lines. Then it was a matter of waiting to see how bad the weather would turn out to be.

Carol Brooks Parker PHOTOGRAPHY: Barefoot Landing &emdash; 6 Inches of Rain! - Barefoot Landing, South Carolina 2015

As it turned out, Ana took her own sweet time in arriving and we waited several days for the storm conditions to materialize, which gave us time to explore the neighborhood. Ana did eventually come ashore as a full-fledged tropical storm and dumped buckets of rainwater, more than 6 inches worth, in North Myrtle Beach where we were berthed. Fortunately the storm lacked the accompanying hurricane force winds that we were worried about, so we were able to comfortably ride out the deluge aboard the boat, reading books, surfing the web, and watching the rain pour down from heavy grey skies.

Unlike the quiet backwaters of our journey, Barefoot Landing offered a destination mall right next door to the dock with plenty to keep us entertained, including over 100 shops and restaurants, one of the largest reptile farms in the world, an educational tiger preservation exhibit with live tigers, a House of Blues, dinner cruises on a riverboat, bumper cars, an old-fashioned carousel, and a huge biker rally taking place in the parking lot.

Carol Brooks Parker PHOTOGRAPHY: Barefoot Landing &emdash; Ducks on a Dock - Barefoot Landing, South Carolina 2015

Carol Brooks Parker PHOTOGRAPHY: Barefoot Landing &emdash; Resident at Alligator Adventure - Barefoot Landing, South Carolina 2015

On an evening stroll, camera in hand, I was drawn to the spinning merry-go-round as it entertained the children, and I started snapping a few photos. Soon I was immersed in the color and motion, trying to capture the essence of these beautifully carved creatures. The original carvers must have been true horsemen as well as accomplished artisans to capture with such fidelity the body language of living horses. From quizzical to panicked, from collected to runaway, each horse resonated with its own personality. The lifelike glass eyes were full of expression, and the chipped paint only added more character.

Carol Brooks Parker PHOTOGRAPHY: Barefoot Landing &emdash; Carousel Horse Flaxen 3 - Barefoot Landing, South Carolina 2015

Back on my computer, I researched the Barefoot Landing carousel and learned that it was created in 1990 by the Fabricon Carousel Company in New York, a company that builds new carousels and restores antique carousels as well. The 44 foot diameter Barefoot Landing carousel carries precise resin cast replicas of carvings created by American master carousel carvers from the turn of the last century, including Illions, Dentzel, Muller, Herschell-Spillman and Looff. You, too, can commission your own carousel. Check out Fabricon’s website at

NEW FEATURE:  I’ve always intended to make books from The AVATAR Logs to document our many cruising adventures. Finally I have found a resource that appeals to me, so I’ve begun the rather lengthy process of working backwards through the years. My first book to be completed is ICELAND, which now serves as a template for those to follow. Also completed are CAROUSEL and THE AVATAR LOGS: 2015 Barefoot Landing.

Previews of the books can be played online at no charge, and print and ebook copies are available to purchase. Books have been created in small squares measuring 8″ x 8″, large squares measuring 12″ x 12″ with spiral binding, and digital ebook format for reading on an iPad or downloading a PDF. Ebook copies are included at no extra charge with the purchase of the 12″ square book..

Barefoot Landing 8x8

The AVATAR Logs: Barefoot Landing 8×8

Photographer Carol Brooks Parker and her husband have been cruising aboard their boat part time for more than ten years, covering a range to date of 36,000 miles and 18 countries. She writes about their cruising adventures and occasional side trips in her blog, The AVATAR Logs, giving each post the…

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Carousel 8x8

The AVATAR Logs: Carousel 8×8

Photographer Carol Brooks Parker and her husband have been cruising aboard their boat part time for more than ten years, covering a range to date of 36,000 miles and 18 countries. She writes about their cruising adventures and occasional side trips in her blog, The AVATAR Logs, giving each post the…

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Side Trip to Iceland

Carol Brooks Parker PHOTOGRAPHY: Sidetrip to Iceland &emdash; Glacier Blues - Jökulsárlón Glacier Lake, Iceland 2015

AVATAR is ‘on the hard’ in North Carolina for the rest of the summer and Mike and I are home catching up on a lot of projects that were put off during our exceptionally busy year of cruising. A few weeks ago my sister Patty and I joined up with a photo workshop focused on Icelandic Horses in (of course) Iceland. Our group of horse loving photographers spent a week in the country at a farmstay near the South Coast. From our home base we enjoyed multiple opportunities to photograph the farm’s herd of 150+ Icelandic mares, foals and stallions, as well as sojourn to a few of Iceland’s stunning scenic highlights.

Carol Brooks Parker PHOTOGRAPHY: Sidetrip to Iceland &emdash; Splash - Skálakot Farm, Iceland 2015

One spectacular must-see destination is the famous glacial lagoon Jökulsárlón and the nearby Ice Beach. The lagoon is relatively recent, the result of a warming climate, and is situated at the base of a glacier. Blocks of ice constantly break off from the glacier and float into the lake. The lagoon is at sea level and seawater floods the lagoon at high tide and washes out again, taking the icebergs with it.  The black sand beach and nearby surf is studded with chunks of ice, frosty white and ethereal shades of blue, streaked with black volcanic ash.

Carol Brooks Parker PHOTOGRAPHY: Sidetrip to Iceland &emdash; Summer Ice 2  - Jökulsárlón Glacier Lake, Iceland 2015

Carol Brooks Parker PHOTOGRAPHY: Sidetrip to Iceland &emdash; Black Sand, Blue Ice - The Ice Beach, Iceland 2015

Iceland has multiple spectacular waterfalls including Skógafoss (pictured below), Seljalandsfoss where I was able to hike a trail that took me behind its raging cascade, and the partially hidden Gljúfrabúi which is best approached by wading up a stream and ducking through a cleft in a cliff, thus entering a chamber where the 40 meter high waterfall splashes down the the back wall. Waterfall photography has its own particular challenge, as the mist from the downpour quickly coats the lens with water droplets.

Carol Brooks Parker PHOTOGRAPHY: Sidetrip to Iceland &emdash; Path to Skógafoss Waterfall - Iceland 2015

The weather was consistently grey, chilly, and drizzly but that only enhanced the color and drama of the landscape, although we were deprived of sunrises, sunsets, and rainbows! We were well prepared, outfitted with rain gear and warm clothing. If we were missing anything, the shops in Reykjavik were stocked with a generous selection of Icelandic wool sweaters, wool caps, wool gloves and mittens, down coats, rain coats, rain pants, and rubber wellies. Winter clothing appears to be a year-round commodity in Iceland! Our transport was a well-used van outfitted with huge off-road tires suitable for navigating back country pasture “roads” like the one pictured below.

Carol Brooks Parker PHOTOGRAPHY: Sidetrip to Iceland &emdash; Back Country Road - Skálakot Farm, Iceland 2015

Our itinerary overlapped the summer solstice, when in Iceland’s northern latitudes the sun sets around midnight and rises again before 3 am, and between times is never really dark but just a shade of twilight grey. Technically speaking, the midnight sun only occurs in Reykjavík between the 16th and the 29th of June, since these are the only days of the year when the sun sets after midnight. With our grey skies we didn’t see much in the way of sun, midnight or otherwise, and with the long days and short nights aurora sightings were impossible. But the clouds did open up while we were photographing the black sand beach and basalt cliffs of Vik and we were treated to a taste of Iceland’s beautiful light that transforms the landscape.

Carol Brooks Parker PHOTOGRAPHY: Sidetrip to Iceland &emdash; Midnight Sunset - Vik, Iceland 2015

NEW FEATURE: After years of promising myself I would create a collection of books commemorating each of our many adventures aboard AVATAR, I have finally found a medium that suits my needs. ICELAND is the first book to be completed, and will serve as a template for books to follow. I’ll be working backwards in time and anticipate this to be a long-term project. But for now – welcome to the first book in The AVATAR Logs series!

Side trip to Iceland 8x8

The AVATAR Logs: Side trip to Iceland 8×8

Photographer Carol Brooks Parker and her husband have been cruising aboard their boat part time for more than ten years, covering a range to date of 36,000 miles and 18 countries. She writes about their cruising adventures and occasional side trips in her blog, The AVATAR Logs, giving each post the…

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Waiting For Ana

Carol Brooks Parker PHOTOGRAPHY: Waiting for Ana &emdash; Salt Marsh - Isle of Hope, Georgia 2015

We’ve been meandering our way north at what feels like an excruciatingly slow place, and currently we’re tied to a dock at Barefoot Landing Marina in Myrtle Beach, South Carolina. Which, if you check out the weather, is in line for a direct hit from tropical storm Ana, the first named storm of the year, developing 3 weeks ahead of official hurricane season. We’ve been monitoring Ana’s progress since the storm spun up over Cuba several days ago and we made the decision to wait out the bad weather in civilization, rather than anchored in some backwater creek off the ICW. Barefoot Landing has 100 shops and 14 restaurants within a stone’s throw of our berth, and plenty of things to do as long as we don’t mind outdoor entertainment in the pouring rain.

Carol Brooks Parker PHOTOGRAPHY: Waiting for Ana &emdash; Projected Storm Track - AVATAR is the blue dot!

In the track projection above, AVATAR is the blue dot! We’re not expecting anything excessively damaging or scary from this weather system, but the projections of wind gusts up to 60mph and rainfall measuring several inches, threatening local flooding, are enough to convince us to hole up for the duration. To add to our nerves, as the storm gets closer to the coast the forecasters have been upping their estimates of potential wind speed.

For the past six weeks we’ve been making our way through the low country of northern Florida, Georgia and South Carolina, enjoying bucolic scenery consisting of vast expanses of coastal salt marshes or wooded areas of tall pines and live oaks draped with Spanish moss. White egrets, great blue herons and ospreys abound. Black headed laughing gulls follow in our wake. An occasional bald eagle occupies the highest branch on the tallest tree.

Carol Brooks Parker PHOTOGRAPHY: Waiting for Ana &emdash; Preen - Florida Everglades 2015

Surprisingly to us, small groups of bottlenose dolphins have been languidly cruising in every waterway, marina, and anchorage we’ve frequented.

Carol Brooks Parker PHOTOGRAPHY: Waiting for Ana &emdash; Atlantic Bottlenose Dolphin - Intracoastal Waterway near Titusville, Florida 2015

Yesterday we spotted a river otter in the beautiful Waccamaw River (the first freshwater stretch we’ve hit). The southern cities en route, including Fernandina Beach FL, Savannah GA, and Charleston SC, are historical and beautifully preserved, with buildings and landmarks dating to pre-Revolutionary War days. It was a pleasure to stroll through the neighborhoods along the shady sidewalks and admire the gracious old homes.

Carol Brooks Parker PHOTOGRAPHY: Waiting for Ana &emdash; The Watchers - Charleston, South Carolina 2015

We’ve had very few sunny days however – earlier in April we had nearly two weeks straight of chilly grey, overcast, gloomy wet weather, interspersed with drenching downpours. We did luck out and enjoyed a clear night for the total lunar eclipse on April 4 which I watched from the dock, dressed in my nightgown, as the blood moon set over an industrial neighborhood near the marina in the very wee hours of the morning.

Carol Brooks Parker PHOTOGRAPHY: Waiting for Ana &emdash; Lunar Eclipse Over Warehouse - Titusville, Florida 2015

The sun finally came out just as we took a brief trip back to Tucson (where the weather was glorious and the wildflowers were in full bloom) so that Mike could attend a business meeting and I could catch up on six weeks worth of backlogged mail. Then off to New York City for the Artists’ Reception (video & photo gallery here) for a new exhibition at Agora Gallery, where several of my works were on display. The folks at the gallery in New York were thrilled with their weather – 65º, overcast and breezy, but the best they had seen after an abysmal and unrelenting winter. We went walking in Central Park and it was in full bloom with flowers everywhere, and the city streets were lined with flowering fruit trees. I didn’t have my camera with me so I had fun taking panoramas with my iPhone and turning them into art projects!

Then back to AVATAR in Charleston, SC, to resume our trek northwards. We finally got to enjoy 3 or 4 days of true spring weather, balmy and sunny, before the grey skies caught up with us again. The northern migration is in full swing now, with a parade of boats all heading in the same direction. We are getting familiar with the names of several of the boats that we pass, or who pass us, in the narrow waterway. Winding through the shallow salt marshes they can sometimes be mistaken for land yachts!

Carol Brooks Parker PHOTOGRAPHY: Waiting for Ana &emdash; Land Yacht - Intracoastal Waterway, South Carolina 2015

Waiting for Ana 8x8

The AVATAR Logs: Waiting for Ana 8×8

Photographer Carol Brooks Parker and her husband have been cruising aboard their boat part time for more than ten years, covering a range to date of 36,000 miles and 18 countries. She writes about their cruising adventures and occasional side trips in her blog, The AVATAR Logs, giving each post the…

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SLIDESHOW – Click any image below to open

88 Bridges

Carol Brooks Parker PHOTOGRAPHY: 88 Bridges2 &emdash; Swing Bridge Opening - Intracoastal Waterway, Beaufort, South Carolina 2015

To position AVATAR for our ICW adventure, first we had to relocate from South Pacific waters to the continental United States. After accomplishing that in late 2013, it took another two seasons to transit from west coast to east, due in part to our unplanned delay in Mexico last year.

But now we’re really on our way! By mid-March AVATAR had completed the final leg of a 5,500 mile journey from Seattle to Ft. Lauderdale, via San Diego, south along the Pacific coasts of Mexico and Central American countries, through the Panama Canal, a brief stop in Jamaica, and along the narrow shipping lane between the islands of Haiti and Cuba (both countries off limits to American yachts), and north through the chain of islands that is the Bahamas, finally arriving in Florida on schedule.

Offshore AVATAR is a pretty quick boat, averaging 10 knots, so that in 24 hours she can cover 240 miles and a 1,000 mile passage can be completed in just four or five days. The ICW measures 1,000 miles long from Ft. Lauderdale to the south end of the Chesapeake Bay in Virginia but, as we set forth, reality is setting in. Negotiating the ICW compares to bluewater cruising like hiking a switchback mountain trail compares to driving down the Interstate!

Carol Brooks Parker PHOTOGRAPHY: 88 Bridges2 &emdash; Thunderbolt Bridge - Intracoastal Waterway, Thunderbolt, Georgia 2015

First there are the bridges. Our count is 88 bridges en route. On Day One we encountered 18 bridges!  Day Two, 13 more bridges!  AVATAR has an ‘air draft’ of 26 feet. Our cruising guides list all the bridges that span the ICW with their individual clearances (which vary by tide) and schedules. With bridge heights of more than 27′ we sail under with confidence, but lower bridges must be opened to let us pass through. Markers on the bridge supports display measurements for real time clearance based on the water level. This bridge offered 65 feet, no problem for AVATAR.

Carol Brooks Parker PHOTOGRAPHY: 88 Bridges2 &emdash; 65' Clearance - Intracoastal Waterway, Thunderbolt, Georgia 2015

Some lift up to open, others swivel laterally.

Carol Brooks Parker PHOTOGRAPHY: 88 Bridges2 &emdash; Bascule Bridge Opening - Intracoastal Waterway near Thunderbolt, Georgia 2015

Carol Brooks Parker PHOTOGRAPHY: 88 Bridges2 &emdash; Avatar Passing Through - Intracoastal Waterway, Beaufort, South Carolina 2015

Some open on demand, others are on a schedule. To request an opening we make VHF radio contact with the bridge operator who then stops car traffic and raises the bridge for us. In areas with more congested traffic the openings take place each to its own timetable, perhaps every 30 minutes or so, but it varies. Trying to ‘make the bridges’ is like trying to negotiate timed red traffic lights. When you miss one, you will find yourself sailing in circles for half an hour or more waiting for the next opportunity to pass under. Of course the sailboats run a much bigger obstacle course than we do with their tall masts.

Carol Brooks Parker PHOTOGRAPHY: 88 Bridges2 &emdash; Marina Morning - Thunderbolt, Georgia 2015

The next challenge is depth. Parts of the ICW consist of deep water rivers, but further south, particularly in Georgia, shallow depths and constantly shifting shoals require a dredging program to maintain a navigable depth. Funding for the dredging is in short supply, so the charted depths can’t be taken for gospel truth. Our bibles, the cruising guides, spell out the trouble spots mile marker by mile marker. AVATAR draws 5 1/2 feet in depth; we keep one eye on the charts and the other eye on the depth sounder as it reads off the numbers. Thus far we have survived some of the more notorious stretches with names such as ‘Hell Gate’ and ‘Little Mud River’.

We signed up for towing insurance, just in case. Boats often have tongue-in-cheek names and I saw one recently named Runaground Sue. The strategy to safeguard against running aground is to pass through the unavoidable shallow spots on a rising tide. That way, if we do get stuck, the plan is to wait it out and, hopefully, float off as the water rises. Tides around here vary by 8-9 feet from low to high, so timing makes a significant difference. Since the bottom is soft sand and mud, no real damage should occur. Steve Dashew, AVATAR’s designer, quips that it’s a good way to clean marine growth off the boat bottom without getting wet!

Both scenarios contribute to slow progress northwards. It would be foolhardy to travel by night in the dark. Based on tide tables and upcoming shallow stretches, sometimes we can’t even start on the next day’s run until mid-day. In Georgia a low-tide low-bridge combo with bad timing actually set us back a couple of days! Even the moon figures in to the calculations; during phases of a new or full moon, so-called spring tide highs and lows are exaggerated beyond the numbers listed on our charts.

A further complication, the ICW is a narrow winding channel that snakes its way through a Medusa’s head of creeks, rivers, sounds and bays that mark the lowlands of North Florida, Georgia, and the Carolinas. We are guided by a series of hundreds of numbered red and green channel markers, red to port and green to starboard, that steer us along the serpentine path of the navigable portions of the waterway. Stray outside the markers at your peril!

Carol Brooks Parker PHOTOGRAPHY: 88 Bridges2 &emdash; Early Departure - Intracoastal Waterway near Thunderbolt, Georgia 2015

The net result is that we’re averaging 30 miles per day instead of 240, and the Chesapeake is looking quite far away! Admittedly, as ICW novices, we’re taking the cowardly approach; the good news is that there’s more time for sight seeing!

88 Bridges 8x8

The AVATAR Logs: 88 Bridges 8×8

Photographer Carol Brooks Parker and her husband have been cruising aboard their boat part time for more than ten years, covering a range to date of 36,000 miles and 18 countries. She writes about their cruising adventures and occasional side trips in her blog, The AVATAR Logs, giving each post the…

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Reminiscing in Florida

Carol Brooks Parker PHOTOGRAPHY: Reminiscing in Florida &emdash; Boy on a Beach - Alice Town, Bimini, Bahamas 2015

We’re trying a new style of cruising this year. In the past we made on average three trips a year to AVATAR, staying on board for 4-6 weeks each time. But this year Mike, having ‘flunked’ retirement in years past, decided to stay aboard for an extended visit of four months while Rod and May head home for their annual vacation. Mike’s plan is to cruise up the East Coast of the U.S. via the Intracoastal Waterway (ICW), something he’s wanted to do since he was a little boy growing up in Florida just a few miles away from ‘The Ditch’.

Carol Brooks Parker PHOTOGRAPHY: Reminiscing in Florida &emdash; Beachcomber - Bitter Iguana Cay, Exumas, Bahamas 2015

Carol Brooks Parker PHOTOGRAPHY: Reminiscing in Florida &emdash; Yawn - Bitter Iguana Cay, Exuma, Bahamas 2015

We started the trip by flying to meet AVATAR in George Town in the Bahamas, and spent a couple of weeks working our way north through the islands and the stunning crystal blue waters surrounding them. We visited islands ranging from remote outposts inhabited solely by iguanas, to Nassau where we absorbed the astounding atmosphere of the Atlantis Resort – a combination of Vegas casino, giant water park, Disneyland, and aquarium.

Carol Brooks Parker PHOTOGRAPHY: TAL 2015-04-17 Reminiscing in Florida &emdash; Carol & Dolphin - Atlantis Resort, Nassau, Bahamas 2015

Our final stop in the Bahamas was the island of Bimini, only 50 miles from mainland USA. From Bimini we sailed across the Gulf Stream on a pleasant sunny day and arrived at our first destination in Florida, the Bahia Mar Marina in Ft. Lauderdale. This was our first opportunity in months to address some boat maintenance issues, so Mike and I left AVATAR In the hands of Captain Rod and some competent refitters and struck off in a rental car to see the sights, starting with Mike’s old home town of Bunnell.

Carol Brooks Parker PHOTOGRAPHY: TAL 2015-04-17 Reminiscing in Florida &emdash; Mike & Fern - Bunnell, Florida 1946

Mike is a Florida boy, born and raised in northern Florida’s back country near Flagler Beach which is near Daytona Beach. Except the back country of his day is now a massive community called Palm Coast, and the brick house his father built by hand and where Mike grew up, is now a dental office. There were 22 students in his high school graduating class, and it just so happened our trip overlapped with the 55th reunion of Bunnell High School’s class of ’60. Bunnell HS no longer exists, as it was burned to the ground by suspected arson in the late 60s during the unrest of racial integration in the south. Seven or eight of Mike’s old classmates, including Fern Allen (pictured with Mike above) turned out for the reunion, which is a pretty good percentage considering the age bracket!

Carol Brooks Parker PHOTOGRAPHY: Reminiscing in Florida &emdash; Reflections - Princess Place Reserve, Palm Coast, Florida 2015

We also made brief stops at a few of Mike’s old boyhood haunts: the ruins of the Bulow Plantation, a former sugarcane plantation burned down in the Seminole Indian Wars of the 1830s, and the Princess Estate (above), now a state park but formerly the country estate of a New England socialite who married an exiled Russian prince and readily adapted to the title of Princess. And of course we had to stop by the Kennedy Space Center, formerly Cape Canaveral, where Mike worked the summer of 1961 on the NASA launch crew (as a self-described flunkee) for the Redstone rocket that sent Gus Grissom, the second American, into space.

Carol Brooks Parker PHOTOGRAPHY: Reminiscing in Florida &emdash; Mayflor & Baby Alligator - Florida Everglades 2015

We also took a side trip through the Everglades on an airboat, where we saw dozens of alligators up close and personal. It turns out baby alligators grow up under the supervision of their mothers. Who would have suspected an alligator of having maternal instincts! And we drove to the southernmost point of the United States, the tip of Key West in the Florida Keys, where we ate at the Southernmost Restaurant, viewed the pedestal marking (falsely) the southernmost point of the US (it’s really next door on a restricted Naval base), and admired a stately old home with a sign proclaiming itself to be the “southernmost southernmost house”.

I had never realized how much history there is in Florida. St. Augustine is the oldest continuously occupied European settlement in the United States, founded in 1565 and celebrating its 450th birthday this year. It didn’t take long to realize that what I was raised to think of as the founding events of our country were pre-dated by nearly 100 years down in Florida: in 1492 Christopher Columbus never actually set foot on North America. Instead he landed in the Bahamas (thinking at the time he had located India, hence the branding of natives as Indians). Spain’s Juan Ponce de Leon was the first European to set foot in Florida in 1513, well before the founding of the Jamestown colony (first permanent British settlement in the colonies) in 1607 and the 1620 arrival of the pilgrims.

South Florida between Miami and Ft. Lauderdale is a high octane mix of extravagant waterside mansions, each with its own private dock and matching super yacht. Another notable feature of these palatial estates is the size of their screened in porches, some 2-3 stories in height and spacious enough to be called an aviary, frequently enclosing the back yard swimming pool. I guess it is only logical – hordes of Floridians enjoying a wonderful climate shared with even larger hordes of voracious mosquitoes and no-see-ums. As a boy Mike played in the refreshing mist of the passing neighborhood DDT truck on summer evenings. I’m a little bit surprised he’s still with us today!

Carol Brooks Parker PHOTOGRAPHY: Reminiscing in Florida &emdash; Avatar in Blue - Bitter Iguana Cay, Exumas, Bahamas 2015

On April 1 Rod and May left for vacation and officially turned over the keys to Mike and me for our extended liveaboard experience. Everything on board was shined up, shipshape, and working to perfection when they departed. Of course it only took a day or two before AVATAR decided to challenge our authority and we started having problems with the autopilot. A string of miscellaneous failures kept Mike busy deploying his electrical engineering skills trouble-shooting and replacing the offending parts. I once read an apt definition of cruising: fixing boats in exotic places!

Carol Brooks Parker PHOTOGRAPHY: Reminiscing in Florida &emdash; Rainbow Over Farmer's Cay - Exuma, Bahamas 2015

Reminiscing in Florida 8x8

The AVATAR Logs: Reminiscing in Florida 8×8

Photographer Carol Brooks Parker and her husband have been cruising aboard their boat part time for more than ten years, covering a range to date of 36,000 miles and 18 countries. She writes about their cruising adventures and occasional side trips in her blog, The AVATAR Logs, giving each post the…

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SLIDESHOW – Click any thumbnail below to open

Another New York Exhibition Coming Up!

Screen Shot 2015-02-21 at 5.14.56 PMIf you will be in the vicinity of New York City the end of April, I’d love to see you at the Artists’ Reception at Agora Gallery, where I’ll be exhibiting six new works.

Agora Gallery is a contemporary fine art gallery, established in 1984 and located in Chelsea, New York City’s premier arts district. Agora has a solid reputation and loyal customer base and it is flattering to be included in their stable of artists.

This will my second exhibition at Agora. Last year’s reception was packed with art aficionados and it was a great experience to make my debut in the New York art scene. I’m looking forward to the repeat trip. The exhibition is titled Illumination: An Exhibition of Fine Art Photography, and unlike last summer’s exhibition which showcased a variety of media, this show will be devoted strictly to photography. Also the gallery has expanded, adding a new ground level showroom to its exhibit space.

The show will be up from April 24 through May 14, and the Artist’s Reception will be on the evening of April 30. I’ll be there! Let me know if you can make it.

Happy 5th Anniversary to AVATAR


Screen Shot 2015-04-04 at 10.16.41 AM

We are currently celebrating our 5th anniversary cruising aboard AVATAR since launching in New Zealand spring of 2010! At the moment we’re sailing up the east coast of the U.S. and, as usual, attracting a lot of attention from the yachting community. I made the suggestion to Dashew Offshore that they should provide FPB owners with sales literature that we could hand out to interested passers by. And yesterday Adobe released a new iPad app called Adobe Slate designed for easy creation of web based magazine-like stories with professionally themed layouts and design.

Putting the two together, I decided to create my own FPB64 AVATAR informational brochure as an experiment. It came together beautifully, although the limitations of the app quickly became apparent. Presumably it will become more powerful as the software matures.

At any rate, in honor of the completion of five years of cruising aboard AVATAR, I thought I’d take the opportunity to brag on the boat a bit. You can read the Adobe Slate version by clicking on the cover image above, or enjoy basically the same presentation below.

For further information on the Dashew philosophy of boat design and full details regarding the range, see the website for Dashew Offshore at To follow AVATAR’s adventures, see the photojournal blog at The AVATAR Logs website Link buttons to both are at the top of this page. 

Sales inquiries may be directed to: 

     Dashew Offshore – Todd Rickard at 

     Berthon International – Sue Grant at



AVATAR is the first of a series of FPB64 passagemaker motor yachts designed by Dashew Offshore in the United States and built in New Zealand by Circa Marine. AVATAR was launched in Spring of 2010 and, as of her fifth anniversary, has completed 36,000 nautical miles of bluewater cruising and has cleared in to 17 different countries including (in chronological order) New Zealand, Fiji, Tonga, New Caledonia, Vanuatu, Solomon Islands, Indonesia, Philippines, the west coast of the U.S. from Hawaii to San Diego to Seattle, Canada, Mexico, Nicaragua, El Salvador, Costa Rica, Panama, Jamaica, Bahamas, currently the east coast of the U.S. – and she is still on the move. Another FPB64, Grey Wolf, completed an epic maiden voyage In 2014 by sailing virtually nonstop 12,000 NM from New Zealand to Great Britain by way of the Panama Canal.


The first FPB (Functional Power Boat) was the 83′ prototype Wind Horse, followed by the 64 series of which there are now eleven. Iceberg, a 97 foot model, launched in 2014. Three 78s are under construction with the first launch scheduled for late 2015. All are designed based on principles originally applied to the iconic Dashew designed circumnavigation sailing yachts, which include Deerfoot, Sundeer, and Beowulf. All are ideally suited for short-handed cruising comfortably over long distances, efficiently and safely.

At a cruising speed of between 9 to 9.5 knots an FPB64 has a range of 5,500 to 6,400 NM. Diesel fuel capacity is 3,400 gallons and freshwater storage is 1,800 gallons with an on board watermaker to make more. The fuel and water are stored low in the hull for ballast, contributing to stability and self-righting capability. Power is provided by one 235 HP John Deere engine but a second ‘get home’ engine is included for an added measure of security. Hydraulic Naiad stabilizers contribute to the smooth ride, even in rough seas. Waterline length before adding the stern extension is 64′. Beam is 17′ and depth is 5′.

D8323DCE-01DC-4BCA-8F93-60C1C1E5719D_full3414A4E3-065A-4177-BF6D-6AE658890900_fullThe rugged aluminum exterior belies an elegant, comfortable interior that contains a master suite, a guest (or crew) cabin, and a single bunk cabin (affectionately known aboard AVATAR as ‘the closet’). There are two heads with showers, an office, a galley which features full-sized washer and dryer units in addition to sink, induction cooktop, combination convection/microwave oven, refrigerator, two freezers, dishwasher, and trash compactor. The roomy salon features a lift-up flat screen TV and has a panoramic view of the sea through continuous wrap around windows on three sides, as well as a navigation station with a full complement of electronics. The huge walk-in engine room is a mechanic’s dream. Generous storage is provided both in the forepeak and also in the ‘basement’ below the salon and galley, as well as lift-up cupboards, drawers, and hanging closets throughout the yacht interior.

The exterior features a flying bridge with comfortable seating, a great view, and additional electronics. The aft deck has room for on board storage of a dinghy (on AVATAR we have two) which can be launched by the lifting booms on either side, also a barbeque, fish cleaning station with sink, stern extension platform, and warm water shower.


  • LOD 64.95′ / 19.85m
  • LWL 63.6′ / 19.4m
  • Beam Deck 17.04′ / 5.22m
  • Extreme Beam (edge of rub rails) 17.72′ / 5.42m
  • Draft at half load (75,000 lbs/34 tons) Canoe Body 3.25′ / 1m
  • Draft at half load (75,000 lbs/34 tons) Prop Skeg 4.5′ / 1.37m
  • Full displacement 90,000 lbs /40,800 kg
  • Air Draft (top of masts-excluding whips) 25.75′ / 7.85m
  • Fuel Capacity 3400 US Gallons / 12,800L
  • Fresh Water Capacity 1800 US Gallons /6800 L
  • Minimum Range of Positive Stability 130-degrees (half fuel in one tank, full fresh water tanks)
  • Cruising Speed 9.25-10.0-knots
  • Top Speed 11.0 knots
  • Approximate Range 9.0 knots – 6400 NM
  • 9.5 knots – 5500 NM
  • Note: speeds/ranges are for smooth water, 75,000 pound displacement, clean bottom

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